Monday, November 30, 2009

What Do Fans Really Want in Your Newsletter

As an artist, there is no end to the number of social media outlets where you can send
updates to fans through. From Twitter, to Facebook, to MySpace, it’s hard to judge
which networks your fans pay attention to the most (let alone the time it takes to keep
info consistent across all of them!) Email newsletters are different because not only has
email consistently proven to be the most effective direct marketing channel to fans, but
email also offers artists the ability to better target each fan.

Writing effective email newsletters can be tricky though. So, I want to share some
thoughts on what makes a great email newsletter vs. a boring one that fans are going to
not pay attention to.

First, the most important thing, whether you are releasing a new song/album,
promoting an upcoming show, or just want to say hello to your fans, is to set a goal for
what you want fans to take away from your newsletter. In the marketing world we call
this a “Call to Action” and it basically means you've got you're fans attention for about
30 seconds (at best) so you want to make it as clear and obvious as possible what
exactly you want fans to do once their done reading your newsletter.

Examples of calls‐to‐action could be a link to iTunes to encourage fans to buy your new
single, a link to buy tickets to a show (even better if it is targeted to their area), or even
just a link to a YouTube video of your music that you want them to go watch. Your
newsletters call‐to‐action can be whatever you want it to be, but make sure you are
only putting in 1 or 2 so fans don't get confused – and ALWAYS be sure that you are
making it easy and obvious for the fan to understand the action you want them to take!
Now that you know you need one or two clear "Calls to Action" in your newsletter, it's
time to cover how you can encourage fans to read your whole newsletter, and thus
really get to know what it is you want them to know/do...

Effective email campaigns strike an important balance between text and visuals (ie.
photos, graphics, etc). Tons of boring text is going to lose the attention of your fans fast,
and an overwhelming collage of visuals may get their attention but really isn't going to
help you reinforce your "Calls to Action". As such, you need to find a happy medium
between text and visuals. Pictures from the road and links to videos express much more
than a block of text, and can be skimmed through quickly, which is good ‐ and when you
pair these kinds of visuals/links with text that gives context then your newsletter is sure
to be a winner!

Thursday, November 12, 2009

Becoming A Successful Tourning Artist/Entertainer

We all know there are several hundred great female country artist out there who get absolutely no consideration. Music is about much more than you and your songs.....it's about the TEAM of professionals you have around you. RIGHT NOW TEAM TAYLOR IS SMOKING! Either that, there is some fishy business going on with the voters, which I sincerely doubt.

If someone gave me $500 to go see my favorite nominee, I would have to pick Jennifer Nettles.....she makes a connection with me on most all her songs and how can you not see the passion on her face and hear it in her voice...but, that is just me.

Your music is like a circle....you're the center, but what completes your circle is how well your work all the pieces, large or small and how consistent you work them with your team members.

Most important, how you build your fan base of what I call True Blue Fans. Without them your career will remain stagnant. Some say you need 1,000 .... I say you need and want as many as you can connect with..... I ask all artist fans to recruit 1 new TBF / month. If this happens, your TBF base can be at 5,000 -10,000 within in 3-5 years. Data shows each new TBF will spend on average $100 / year on you. Which means 5,000 TBF generates $500,000 / year in gross income; 10,000 TBF generates $1,000,000 in gross sales / year. Either way, record deal or no record deal, in 3-5 years most any artist will become successful touring and earning a good living, not only for her, but members of her team. There are many ways to have TBF and have them become one of the most import parts of your circle (team). If you now have 1,000 TBF and each one brings 1 new TBF / month, in one year you have 12,000 and once you get to that level your career will explode. You may not ever be on the CMA awards, but, who cares if your making a wonderful living and having fun doing what you love to do. When you become a confide touring artist and are make it on your own, more than likely a label will show up and that's when you have the power to not give away your future and when you can make a deal or not, that will be a win/win for you and for the label.....many more details to this.

Anastasia Brown has written much about this as well as many others....spend your time working your career and keeping your fans informed and not so much as those who don't support you, your music, your shows, and your team.